Two More Paintings and Thoughts Behind Them

Gods army, christian soldiers

Army of God, by Scott Freeman, 20×30

Today I want to show you a couple of recent paintings, for a couple of reasons:
1) They’re not the sort of thing I usually do, or am known for doing, so I’m kind of curious as to what people will think of them.
2) It would be helpful to me if I could sell them as I’m waiting for responses on some large potential commissions.

From the National Day of Prayer, 2018
The first one was painted during a local National Day of Prayer event in Loveland, on May 3, 2018. I was invited by the organizers to paint during the entirety of the event, and the subject matter was left open to me.

I’ve (reluctantly) called the painting, The Army of God. I say “reluctantly” because for years I’ve been a bit uncomfortable with using war metaphor to describe the church of Jesus. I’m not uncomfortable with it because I disagree with the truth of the metaphor, I’m uncomfortable with it because of how I know it sounds to the ears of skeptics and critics of the church. Therefore, I never use war terminology with reference to the church unless I can explain that I am referring to spiritual warfare.

As followers of Jesus, our weapons, our armor, and our enemies are explicitly described as not physical in nature (Eph 6:10-18; 2 Cor 10:3-5). All of the physical terms and conditions of the former Mosaic Covenant have been fulfilled and translated into spiritual terms in the new covenant of Jesus. So there can be no justification for a Christian religious war. There can be no justification for human governments physically slaughtering their enemies in the name of Jesus. There can be no justification for human beings setting up a theocratic Christian state. Yet this all seems to be a continuing concern for secularists.

Many biblical metaphors are used to describe the church: a body, a family, an army, a bride. Those of us in the church understand them and are accustomed to using them. But I think we have an obligation to be clear to those outside of the church, especially when using the army metaphor, especially in the divisive, hysterical, irrational cultural climate in which we now find ourselves.

As a worship leader I wouldn’t even sing Onward Christian Soldiers without a disclaimer. To a Jewish or Muslim listener, for example, the first line of that song would sound like a perfect description of the Crusades, (which were biblically unjustified.)

So…having said all of that, calling this painting The Army of God underscores the point. It’s a picture of biblical, multi-ethnic community, planting and watering and praying. Jesus said that His kingdom is different from the kingdoms of the world in that His message comes, and His kingdom is spread, not by means of the sword but through the proclamation of His good news of restoration. Jesus said that gospel is like seed planted in the world.

This is a first stab at a painting I’ve been wanting to do for years. Years ago I was inspired by the story of several young Christian boys who were kidnapped by radical Islamists, and who refused to recant their faith in Jesus, even under torture. Eventually one of them escaped, minus a limb. I thought of the irony that this is the army of God; not composed of ruthless warriors but rather, courageous young boys in this case, willing to suffer harm and refusing to hate their captors, even praying for them, just as Jesus instructed.

 

parable of Jesus as sower

Sower, by Scott Freeman, 20×24″

Northern Colorado Worship and Prayer Event
The second painting has some similarities to the first and was painted at the last NOCO Worship & Prayer Night in May of 2018. These monthly events were envisioned to bring diverse church congregations together in worship. Everyone is welcome, and if you haven’t been to one, they’ll be starting up again in August. There is always live worship painting going on at these events, (usually including my lovely wife). You can stay posted at http://www.loveonfireworship.com.

This painting is a variation of an earlier oil painting of Jesus as a sower. In this smaller version His arms are outstretched in a sort of crucifix gesture. The seed is red, representing His blood, but particularly the blood of the martyrs, which has so often resulted in many coming to faith. (Since the news media so often fails to draw a distinction between murderers and martyrs, here I must clarify that a martyr is not someone who kills others for God and dies in the process. A martyr is someone who willingly suffers for God, even unto the point of death.)

A couple of weeks ago a friend asked me about the birds. In one sower parable, Jesus explains the birds this way: “When anyone hears the word of the kingdom and does not understand it, the evil (one) comes and snatches away what has been sown in his heart…” (Matt 13:19). This is the world we live in for now – goodness, redemption, and life always face spiritual opposition, even in addition to our own apathy and distractedness.

Prices
Both of these paintings are painted on canvas that I pre-textured, and both are painted with up-cycled latex paint. This not the type of painting that I have shown in galleries over the years, or, I assume, that my current gallery would be interested in. So here’s what I’d like for these unframed paintings if anyone is interested:

God’s Army, 20×30” – $300
Sower, 20×24” – $250

Since these paintings are medium size, I would like to charge shipping to the buyer as well. (I think shipping will come to around $30 in the US.) If you live in northern Colorado, (Loveland, FC, Windsor, Johnstown, -ish,) I would be happy to deliver these to you free of charge.

If you’d like to purchase one of these, contact me at scottnmollie@yahoo.com .
Thanks again for your support! I’d love to hear your feedback on these – positive or negative.

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A Remarkable Memorial Mural and Its Story

MLK mural Indianapolis

Photo copyright 2018 Sierra Gillard, used with permission from photographer and subject.

Here’s a story worth telling, about art and hopefulness.

Although I’m a fine art painter in my own right, I’ve increasingly found satisfaction in facilitating “non-artists” in the enterprise of art making. I’ve developed an inclusive process by which virtually anyone, including small children and people with physical or intellectual disabilities, can be a participant in creating a compelling, monumental artwork. (Of course, skilled artists are welcome as well!) This process necessarily involves large numbers of people.

My most recent story began with a discussion I had with one of my daughters last Christmas. She and her husband were visiting for the holiday, and I wanted to hear about her new job in Indianapolis. She was teaching at an inner city school there in a pretty rough environment. She recounted that one of the students had been shot over Thanksgiving break, and that when school resumed, fights had been breaking out over the incident.

The high school where she was teaching had combined two different high schools for the current school year. Then at the close of the school year, these high school students were going to be moved again, and the school was to become a middle school for the next school year.

My daughter recounted conversations she had with students during a time of sharing thoughts. She told me that pretty much across the board the students feel like nothing they do matters to other individuals. Certainly not nationally, but not even locally. Their voices don’t matter. What they do doesn’t matter.

Pointlessness and hopelessness are not good ingredients for creating a culture of life. Especially for a demographic that has a lot stacked against it.

I wondered out loud about how something like the Fire & Ice Festival murals would go over at her school. For the past 2 years, the small church I attend had been helping me put on these big art-making events, each culminating in a giant public mural. The point of the process is that each individual paints a small square of the larger picture. Each tile bears the personal expression of the individual, while contributing to a larger mural that the entire city can enjoy – a colorful metaphor for community.

We envisioned the possibility that the Arlington High School (AHS) students could see such a mural as both a legacy that they could leave to the incoming middle school students, but also be a way that they could leave their individual mark in a creative, positive, and lasting way. It seemed like these students could use something that would feed their souls; to be part of something big and meaningful. I understood that the staff and teachers at AHS already work hard to deliver this, and this seemed like something that I could contribute, even if from a distance.

I cautioned my daughter that it would be a ton of work for her, but she took it on. She ran it past her principal and then the staff. Even without being able to fully know what was coming they said “yes.” I ran the idea past my pastor to see if our church, Beggars’ Gate, would be willing to cover the cost of my time. The high school would cover materials, installation, and its own time. It was now officially a collaboration between a little church in Loveland, Colorado, and a large high school in urban Indianapolis, Indiana.

The school principal approved a design bearing a likeness of Martin Luther King Jr., which was fitting for this year because 2018 is the 50th anniversary of Dr. King’s tragic assassination.

I completed my part and shipped off over 750, six inch square, prepped and coded tiles to Indianapolis. As the painting began at AHS, the students got into it and so did the staff. My daughter had a friend come in and DJ the painting area to create a good atmosphere. Good things happened. Creativity flowed. Dancing ensued.

community art project

Some kids, “hall-walkers” who have not been able to find their place in an academic setting, found their place in this setting.

At least one kid who is artistically gifted spent over 2 hours on his 6 inch square tile. He said it was the first time he had used paint.

A Behavior Specialist on staff said, “You know what? If we would’ve done this earlier in the year, I think our kids would’ve done better. It’s inspiring. I’m inspired!”

As the individual painting was going on, no one really knew what was coming. A few kids snuck their tiles out, presumably because they didn’t want to give them up. But when the seemingly random pieces all came together and went up on the wall, the result was spectacular. A lot of hugs were exchanged.

Congrats to Principal Law and the staff and students at Arlington High School – you did a great job!  Thank you Beggers’ Gate Church, for your support!

Martin Luther King Jr memorial

Martin Luther King Jr. Memorial Mural, painted by the students and staff of Arlington High School. Formatted by Scott Freeman, 2018. (12.5 x 25.5 ft)

Obviously, a mural is not going to solve anyone’s problems. But if, at least for some students, it provided even some sense of being part of something transcendent; of having a unique place in community; of seeing themselves as being mentors to younger kids; of creative potential breaking out; then I think that’s a good thing. Maybe that’s about the most we can expect from art.

inner city high school project

Find your place in the bigger picture

Getting a vision? Contact me about bringing an experience like this to where you are.
My email is scottnmollie@yahoo.com.

A Personal Update & 2 Paintings for Sale

Freeman Art Studio

I don’t talk a ton about my personal life here or use this blog much to sell my art, but today will be an exception. I’ll try to keep it interesting for you.

Seventeen(ish) years ago my wife and I moved our 5 kids to Loveland, Colorado to pursue our dream of making a living as fine artists. It has been like a screaming roller coaster ride in an intermittent hailstorm. I gave it a good 15 years, full time, with mixed results due to a less-than-great economy. Finally, a couple of years ago, due to some hospital bills and other debt and some significant deaths in our families, I had to put the brakes on the art career and start working full time. Sorta.

Well, my sorta full time gig went away last December, so I am now back in the saddle as a full time artist, but with a couple of changes:

  • This time, I’ve promised my wife I’m only going to do this as long as it is working financially. We are enjoying the relief of being out of credit card debt and being on a cash-only basis. We are not going back.

 

  • My career emphasis will be different this time around. This time I will not be focusing on showing my work in art galleries, or competing in plein air painting events. (A big part of my debt accumulation had to do with constantly having to frame new work for my galleries, while sales were rarely guaranteed.)
    This time around my focus will be on public art, hopefully with an emphasis on community-building projects.

 

  • I am also trying to keep my children’s storybook business on the front burner, but people keep coming in and turning off the stove. I remain very excited about continuing to create storybooks designed to reinforce a biblical worldview in kids, it’s just going slower then I would like.

What is Public Art?
The public art arena entails competing against lots of artists and, hopefully, winning and being awarded art commissions for public spaces. I have a pretty good public art portfolio now, so I’m optimistic. But there is a lot of waiting involved.

While I wait I’ve almost accidentally had the opportunity to produce a few new paintings. Below are the first two. I’ll tell you the story behind them because I think it’s kind of amazing, and has been personally meaningful to me. I will cover this 35 year story in 2 paragraphs. (They might be long paragraphs. Names have been changed.)

The Story in Part
In 1982, my first job out of art school was as an uncertified elementary school teacher teaching 1st and 2nd grade in one small classroom, for $1000 a month, (summers off with no pay.) One of my students was a well-behaved little blue-eyed girl named Amanda. The school closed after 2 years, life happened, people moved away, and I completely lost touch with all of my students until decades later when I caught up with now-mother-of-three Amanda on Facebook. Shortly after we re-connected, Amanda tragically lost her youngest son to a prolonged illness. Her heartbroken 9 year old daughter, Zoe, wrote a story about her little brother’s life and his faith in God. Amanda and her husband commissioned me to illustrate Zoe’s book in the hope that it might encourage other kids who have experienced loss. But I never actually got meet Zoe.

Ten more years went by. Several months ago I was horrified to learn that Zoe, then 18 years old, had been struck with a related illness, during which time she lost a lot of her physical and mental capability. Eventually doctors were able to figure out a way to manage Zoe’s condition, and she has been in recovery for the past several months and is mostly back to her former sweet self. Amanda called me and Mollie to see if we would tutor Zoe for a couple of weeks of art lessons in our studio in Colorado, as Zoe had been focused mostly on dance throughout her life and it was looking unlikely that she would be able to return to dance in earnest.

Of course we agreed. So I finally got to meet Zoe, now a beautiful young woman who has walked through more than her share of tragedy. Mollie and I got to know her for a couple of lovely weeks, making art and listening music, and hanging out.

The Paintings…
These 2 paintings came out of those 2 weeks. When I teach I usually work on a painting from the same still life as the students, mostly to keep me from bugging the students too much. Zoe chose the colors and set up the still life, and did a great job on her first two oil paintings, which went home with her.

Scott Freeman, painter

“Still Life with Three Pears,” 8×10″, oil on panel.

 

I think these would make a nice set, but I’m happy to sell them separately as well. When I left off of exhibiting in art galleries, my framed 8×10 paintings, (generally the smallest size oils paintings I would sell,) started at $700 – $800. These are unframed, and since I’m currently not in a gallery I can knock off the gallery commission. If someone wants to give me $300 per painting, I would include shipping with that if shipped within the continental US. If you’re local I can deliver.

Scott Freeman, fine artist

“Still Life with Three Apples,” 8×10″, oil on panel.

Please call or email me if you’d like to respond at 970.685.2144, or scottnmollie@yahoo.com.

I do have some copies of Zoe’s hardcover storybook on which I collaborated years ago. Perhaps you know of someone for whom such a book might be helpful. The book is entitled, “Grant and His Great God.” I will send you one for $15, shipping included.

For my thoughts on still life painting, here’s a LINK to an article I posted on here a few years ago. There are lots of new folks here that may not have seen it. Thanks for signing up!

Thank you for your support!

Scott Freeman

Why a Giant Community Mural in Downtown Loveland?

Loveland sweetheart city arts

Loveland’s “Creation,” by Michelangelo di Lodovico Buonarroti Simoni, with help from local residents.

Loveland, Colorado, nicknamed The Sweetheart City, has developed a reputation as a city supportive of the arts. In recent years, citizens here have braved the cold to participate in an outdoor Valentine’s Day festival called Fire & Ice. The festival includes an ice sculpting competition and also metal sculpture involving lots of fire.

Despite brutally cold weather this year, people still bundled up and showed up. Lots of great musicians still managed to play and sing. And people still showed up to express themselves in paint even though the paint was freezing on the panels. ‘Word is that there were about 40,000 participants this year.

As an arts town, Loveland is best known for its sculpture and bronze foundries, so sculpture is a big part of the festival. But I’m mostly a painter, so this year the folks at the church I attend agreed to once again step up and help me facilitate a huge public art project for festival-goers. Beggars’ Gate pastor, Pat Sokoll, has insisted on the church footing the bill so that this event can be free for everyone.

This year we doubled the size of the final image to 15 x 27 feet. The image consists of 405, 12 inch square tiles. The way it works is that an artist (yours truly) translates the image beforehand into light, medium, and dark values. Each square tile contains a piece of the larger image with the correct value marked accordingly. Participants can express themselves as they wish so long as they use the correct value of paint in each designated area.

Last year we spoofed perhaps the best-known painting in the world – The Mona Lisa. We gave her a Loveland twist. She held a Valentine that says, “With love, from Leonardo,” and I put Long’s Peak in the background. (Click here to see her.) This year we spoofed another iconic image from art history – Michelangelo’s Creation from the Sistine Chapel ceiling. Since participants don’t know in advance what image they are helping to create, it seems reasonably safe to me to spoof a well-known and loved image from art history.

Why we do this
Several people have asked me about the inspiration for putting on such a large, free event. I think this is worth doing for a couple of reasons:

Community-building
I think our country has experienced a serious loss of civility and unity. I like this project because participants can express themselves individually while being an integral part of a larger picture together. It’s a great metaphor for community. An art project will certainly not solve our problems, but it can be a nice reminder that we all have a place here, making the community of Loveland what it is.

It’s just fun to look at the diversity expressed on the wall; to appreciate the creativity and to see the differing personalities of each individual coming through. I know the stories of many of the participants. I see tiles painted by a husband and wife who are physical therapists, a dad and his small kids, a retired school teacher who loves the arts, a child with Down Syndrome, a college student home for the weekend, a friend struggling with an unsettling medical diagnosis, and a competitive distance runner.

Every tile on the wall represents a person with a story. Maybe we can all get better at getting to know each other despite our differences this year. Maybe we can learn to be slower to shut each other down when we disagree.

public art community

Detail of local color…

Radical Inclusivity
Some tiles are quite complicated and require a bit of time and careful attention to complete. Others are completely blank and are impossible to mess up, so long as the correct value of paints are used. This means that even a child barely old enough to hold a brush, a person with a physical or mental disability, or even a blind person can participate. This is personally meaningful to me as a father of a child with a disability and also as a father of a very gifted child, both in the same family. I know how rare it is to find something everyone can engage with as equals

We made it free because we didn’t want anyone to be excluded for financial reasons. As an artist couple raising 5 kids, often below the poverty line, my wife and I often avoided events like this festival. Or if we attended such an event, we had to tell our kids in advance that we weren’t going to buy anything there. It was gratifying to see parents of large families smile to see that our event was free.

art and math

One of my favorite tiles, just because it is so different from anything i would ever do. The mathematical equation creates the heart shape shown on the tile. This tile appears near the head of God in the mural.

What do you think of having a permanent art wall in Loveland?
It looks as thought this may be our last year, as things now stand. The boarded up building on 4th Street where the mural is situated is scheduled for renovation in late spring. I think it would be a unique addition to downtown Loveland to have a permanent, rotating art wall for projects like this. Maybe at the Feed & Grain, or on the side of some other well-exposed building, visible from 4th Street. Or possibly a large billboard type structure reserved for 2D art display.

It could be another way for the city to support the arts.

Thanks again to the small army of volunteers at Beggars’ Gate for your service and ingenuity, and for sticking it out in the cold weather. Thanks to everyone who came by and painted a tile. I love being part of this community.

— Scott Freeman

Please join my email list to be notified when my newest kids’ storybooks are released!

art for kids

A small artist with his tile.

What Happened at Loveland’s Fire & Ice Festival

Mona Lisa public art Loveland CO

Actually, a lot happened, with lots of local sculptors and musicians, but I’m going to tell you about a community art event that I and my church, Beggars’ Gate, put on there.

If you’ve been following this blog for long, you know how troubled I am over how divided and uncivil our nation has become. I got an idea for a project that would bring diverse festival-goers together in a fun, creative process that would end in an exciting collaborative result.

With my peeps at church and the Festival organizers on board, we contacted the owner of a boarded-up building downtown. He gave us permission to beautify his blank wall. Already there was lots of trust going around.

I should mention that Fire & Ice is the city of Loveland’s annual Valentine’s Day festival. Valentine’s Day is kind of a big deal here in Loveland, Colorado.

Here’s how it worked:
We laid out a giant 13 x 15 foot grid of 12 inch squares on the wall and painted a gold frame around it. We numbered the squares 1 thru 195. On my studio floor I transferred a (secret) design to 195 wooden foot square tiles. So each tile had part of giant drawing on it. I designated how each area of each tile must be painted in order to make this work: “L” for light, “M” for medium, and “D” for dark paint. Plus a few rare tiles with white, black, and red areas.

At the festival, our small army of volunteers instructed festival-goers in the process. Some of the tiles were impossible to mess up, provided the right color values were used, so even very small children and people with disabilities could (and did!) participate.

It was crazy and fun!

Loveland Fire and Ice Festival

Unfortunately, this being our first time, there was a lot of guessing and estimating going on. We ran out of tiles and completed the image before the end of the second festival day. But Fire and Ice is a three day festival. So…one of my peeps ran out and purchased a stack of floor tiles. Another one cut some that needed cutting until we had another 100 blank squares. We contacted the building owner again for permission to attach a second mural to his wall. I worked into the wee hours to put together a (much simpler!) second design, and we were all ready for day 3 on Sunday.

A pastor friend, (who ended up hanging most of the Mona Lisa image on Saturday,) must’ve been struck with some deep thoughts while nailing up the creative expressions of nearly 200 people. What follows is what he wrote when he went home Saturday night. He read it to our little Beggars’ Gate congregation on Sunday morning. His name is John Meyer, and here are his thoughts:

The Mona Loveland

What do you see?

This community art piece is a great picture of one of the good things we believe about life.

Everyone is an individual, with different talents, different experiences, different likes. It is those differences that make this picture fun, interesting, and a bit unexpected.

But there is a bigger picture that comes together in a way that makes a beautiful whole out of all the individuality. It happened because each individual brought his or her own expression within the plan of an artist who had an intention from the beginning. It would have been nearly impossible for hundreds of individuals to make the Mona Loveland by talking among themselves. But by accepting (even without understanding) the greater plan of the artist, the unique expression of each individual created something that included everyone, and has a greater meaning and beauty that only exists because everyone came together.

We think this is a good picture of God’s plan for life. Each of us is made wonderfully unique by Him. Just as no two snowflakes are alike, and no two sets of fingerprints are alike, every person has unique and wonderful traits that are found in no other life.

But none of us are meant to be a complete picture alone. We are made for community. The Designing Artist has had a plan from the beginning to allow us to experience both our individuality and the greater good of a community living together.

It is from both living out who we are, and expressing that uniqueness within the “lines” and plan the Designing Artist has for each life, that allows us to experience the beautiful picture of human community to come together.

Our goal is to help individuals appreciate their own uniqueness, and to understand the plan of God that allows all of us to experience His good and bigger picture together!”

Beggars’ Gate Church
Loveland, Colorado
beggarsgate.com

blg-loveld-monalisa-fnl

The finished mural: “The Sweet Heart City’s” own Mona Lisa, painted by local citizens…

I want to extend a big THANK YOU to the army of volunteers who enabled this event to happen for the community. They gave time, energy, and resources to make this event free for everyone else. ‘God bless em’ all!

If you’re new to this blog, please visit my KIDS’ STORYBOOK WEBSITE and sign up in the blue box to hear about my upcoming new storybooks!

Love peace dove mural scott freeman

This is the completed second mural.

A Tale of Two Neighbors. (And Many Dandelions.)

garden gnome-scott freemanThis morning as I was out digging dandelions in the sun, I noticed myself unconsciously making choices. It set me to thinking about human action and freedom.

I’m quite fond of the quirky little piece of downtown property where my wife and I live and raised our family. I love my wife’s garden. I love our art studio. I like our fruit trees. I like that our yard is not fenced in. And I really like that there is no Homeowners Association (HOA.) This allows me to do things like dig a pit and cook a turkey in the ground at Thanksgiving. Or to add outdoor art to my property. Our “inner city” neighborhood has a lot of cool, creatively embellished properties, and a lot of urban farming going on. Several neighbors keep chickens and bees in their backyards. These are usually among the best kept properties. I love this.

Of course there is the occasional trashy property as well, and the occasional display of poor taste. This is part of the cost of freedom. I think it is a small price to pay.

This post is a brief tale of two neighbors. It’s a story about the dynamics of living in community. (I’m pretty sure neither of my neighbors reads my blog.)

I will call my neighbor on one side, Harvey. Harvey is a middle-aged, single guy. We’re buds. We’ve talked a lot about life, God, politics, and stuff, in a dude sort of way. I like a lot of Harvey’s views, though he can be a little pugnacious. But underneath his crusty, cigar-smoking exterior, as human beings go, he’s a good man. He volunteers his time and resources to help under-privileged kids. For years he has worked with the deaf community in one capacity or another. He has purchased my art and books on several occasions. He has given us pecans from his farm in another state. I like Harvey.

A few years ago, Harvey adopted an enormous dog. A black lab, or something. I’ll call him Dogzilla. Dogzilla is clueless and friendly. I’d say he’s a little too friendly. He often escapes his pen and comes immediately into our yard, snuffling around and peeing in our garden, where we grow food that we intend to eat. Dogzilla produces enormous poop that doesn’t decompose because Harvey feeds him cheap dog food. Sometimes at night, I’ve noticed Harvey letting Dogzilla out for a potty break, while he enjoys a cigar in our shared alley. Recently, I shoveled all of Dogzilla’s petrified poop back into Harvey’s yard. I haven’t told Harvey about this yet, but if he doesn’t like it, I’m looking forward to the conversation where he explains why he has a problem with me putting his dog’s poop back into his yard.

Harvey pieced together a make-shift pen for Dogzilla. The makeshift pen is quite large and consists of five-foot sections of chain-link fencing, held up with bungee cords and stacks of cinder blocks, with a tarp thrown over part of the fence for shade. With dandelions and goat heads growing all around. It looks like crap. It’s very reminiscent of a third world slum, or a refugee camp. Of course, I have nothing against third world slum dwellers or refugees, but I don’t believe that Harvey and Dogzilla are in a crisis situation. Unless you count the dandelion crisis. But even so, that’s really a first world problem.

So that’s on one side of my house.

Then there is my neighbor on the other side. I’ll call her Betsy. She is an interior designer. Her house and yard look like a greeting card scene. She’s like Martha Stewart without the prison record. Her property has been on the annual Loveland Garden Tour. It’s like a Disney movie over there, with rabbits and birds and butterflies hopping and flitting about. When I step out of my house to go to work in my studio, if I happen to glance over to the right at Betsy’s property, I often break into song.

Betsy is also a great neighbor and a giving person. She is from an old Loveland family, and it’s fun to talk local history with her. My wife and Betsy exchange gardening plants. I have painted several paintings in her sanctuary-like backyard during plein air art competitions. (I have never asked Harvey’s permission to paint in his “yard.”) During winter, she always has her snow removal guys do part of my sidewalk. At Christmastime we exchange Christmas cookies, and hers are amazing, and ridiculously Martha Stewart-like. (Harvey does not give us cookies, but that is probably a good thing.)

That’s the other side of my house.

So, when I went out for my first springtime dandelion digging, guess where I started digging first? I headed directly to Betsy’s side of my yard. I wanted to be sure she didn’t have to wonder if I was going to get rid of the dandelions next to her property. (Her yard is dandelions-free.) She has never complained to me about my sometimes lax grounds keeping. She doesn’t have to. Because she treats her property with care, it makes me want to do the same. Not out of guilt, or shame, or keeping-up-with-the-Joneses, but out of respect and appreciation for the effort and creative care she puts in. I’ve noticed that she likes to entertain guests in her garden, and I would like to not be the jerk who ruins the sanctuary vibe that that she has going on over there. All of this is unspoken. I could completely neglect my property, and the world would keep turning, but the fact that she cares helps me to care.

Isn’t so much of life like this?

All of us struggle every day against entropy and degeneration, in every aspect of life. The physical universe is winding down. Left to itself, our environment gravitates toward disorder and decay. Civil society naturally tends toward confusion and degeneration. Even the genes in our cells are continually mutating, causing our bodies to degenerate and eventually lose function. But we fight against this. By intelligence, creativity, and work, we rebuild, restore, support, and hope. Ultimately, our only hope for salvation is an intelligent, loving, regenerative Life-Source existing outside of creation, commonly referred to as “God.” But whether or not we believe in such a God, most of us still hold onto hope. I find this bittersweet.

For me, every creative act is worth something. While even our hoping and dreaming is imperfect, every hope and dream in the face of futility testifies that we were created for life, love, and goodness. Creative acts affirm life. Caring acts make the universe make sense to our neighbor. Loving acts transcend the futility of our hopeless trajectory, in some small way. To me these things signal that there is something better to come.

I’ll close with some gardening tips from the apostle Paul:
“…whatever one sows, that will he also reap. For the one who sows to his own flesh will from the flesh reap corruption, but the one who sows to the Spirit will from the Spirit reap eternal life. And let us not grow weary of doing good, for in due season we will reap, if we do not give up. So then, as we have opportunity, let us do good to everyone, and especially to those who are of the household of faith” (Gal 6:7-10.)

dandelion

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Watercolor Out the Wazoo!

Perchon-watercolor detail-scott freeman

In previous posts I’ve talked a bit about a crazy watercolor technique that I like to use. I was once unenthusiastic about watercolor because I generally found it to be wussy and boring. Then, when I worked at Hallmark I found some guys using watercolor in a way I had never seen it used before. Eventually I took a work shop from these guys, (Craig Lueck and Johne Richardson,) and fell in love with the medium of watercolor. I remember the first night after the workshop; I dreamt of blushes of watercolor flowing into each other.

So, over the years watercolor has become a secondary medium for me, right behind my favorite medium of oil paint. However, since the beginning of this year, I have worked almost exclusively in watercolor due to the list of projects and commissions I’ve taken on. Furthermore, I’m scheduled to teach this crazy technique this coming January (2015) in a Saturday workshop at Schissler Art Acadaemy, in downtown Loveland. So I’ve definitely got watercolor on the brain right now. (Which, I admit may have been a better title than Watercolor Out the Wazoo.)

In the course of pulling together some samples for Schissler Art Academy, I ended up going through a lot of past work, and I think it’s fun to look at as well as being fun to paint, so I thought I’d show some to you. A lot of it is available in greeting card format on our ZAZZLE SITE, and also as fine art prints by contacting me directly. I even still have a few select originals around as well, for those of you who have money to burn. (The originals are several times more expensive than prints.)

For those of you who are art nerds, I’ll say that I pretty much only use oils for my fine art. However, I use watercolor for a whole range of artistic expression, including fine art, but also for my commercial illustration, which includes my children’s storybook illustration. In fact, watercolor is almost exclusively what I use for commercial illustration, because I feel this technique presents a unique and striking look. Following is a survey of some of my favorite pieces from over the years.

 Masters copies:

The Visitation-watecolor by Scott Freeman

“The Visitation” based on a 16c painting by Mariotto Albertinelli. 6 x 8 inches. I would be willing to have prints made of this one if someone asks, because it’s one of my favs. The original is in a private collection.

Sometimes I like to take an old Master’s composition and translate it into watercolor. For me this is an act of appreciation, kind of like a musician covering a classic song. Someday maybe I’ll post the originals alongside the reinterpretations.

See a previous post on The Visitation. (left)

The Music Lesson-Scott Freeman

“The Music Lesson”
based on an 1877 painting by Frederic Leighton. 6×5.25 inches. I have prints available of this one. It’s also available as a note card on my Zazzle site.

Native American-watercolor-Freeman

“Native American Portrait”
5×7 inches. Based on a 1910 black & white photograph by Carl Moon.
  1 of a set of 3. Framed original available for $700.

Watercolor studies- Scott Freeman

Left: Study after Johannes Vermeer’s (1665) “Girl with a Pearl Earring.”
6×9 inches. I have prints available of this one.
Right: Study after Frederic Leighton’s (1864) “The Painter’s Honeymoon.”
5×5 inches. Private collection.

Plein Air Pieces:
I almost always paint in oils when I do plein air events, but occasionally I’ll do a watercolor painting. Here are a couple that I was able to photograph.

Perchon-Scott Freeman

“Horse of a Different Color”
4×6 inches. Painted at a riding stable in Estes Park, Colorado. A composite of 3 white Perchons who took turns posing for me. Original sold. No prints.

Santo-Sedona AZ-watercolor

“Santo”
Painted from a statue on the grounds of a Catholic church in Sedona, Arizona.
Framed original available for $400.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Artist demos:
When I teach a watercolor workshop, I generally do a demo throughout the day. Below are two that I liked enough to document.

watercolor demo-Scott Freeman

“Light and Fashion”
8×10 inches. Demo for a watercolor class.
Unframed original available for $200.

American buffalo-watercolor

“American Bison” 5×4 inches. Demo started in class and finished at home. Original sold. Available as a note card on our Zazzle site.

Children’s Book Illustration
I’ve been doing a lot of book illustration lately, especially with the recent launch of my online kids’ book company. Below are some of my favorites so far.

Mount Fuji-kids stotybooks-Freeman

“…and she flew away to Mt. Fuji in a breeze.”
Full spread from the upcoming book, The Adventures of Nathaniel and His Father’s Globe, by Beth El Kurchner.
8.5×17 inches. Original spoken for.

 

kids story books-The Cocky Rooster

Select illustrations from my newly released kids’ storybook, The Cocky Rooster.

I just found out I need to get new tires for my car in addition to several unexpected expenses. So I guess that means it’s time for a SALE.

+ I’ll sell any of the prints mentioned above, unmatted and unframed for $25 (includes shipping & handling.)
+ When I have matted prints on hand, I’ll sell them to you for $40 (regularly $60 – $80.)
+ Framed pieces are already discounted, as listed above.

My fine art giclee prints are reproduced using archival watercolor paper and inks.
I’m not set up to sell prints and art online, so please email me if you’re interested: scottnmollie@yahoo.com
I may not have to charge for shipping depending upon what you want and where you live.

For easy online purchases:
+ You can browse our Zazzle Store HERE
+ You can purchase my newly released storybook, The Cocky Rooster, HERE!

I’ll keep this sale going until my next post – (probably in a couple of weeks.) THANK YOU for your support!