“Loveland Gothic” – A New Mural

Scott Freeman Public Art

The completed mural, 12×15 ft, painted by 320 local citizens, young and old.

For the past 3 years, I and a small army of volunteers have facilitated the creation of a community mural, painted by local festival-goers, during downtown Loveland’s annual Valentine’s Day festival.

Each year we’ve spoofed an iconic fine art painting, giving each painting a Valentiney twist. This year I chose an American artist, Grant Wood, using the occasion to celebrate sibling love. Many people assume that Wood’s original painting depicts a husband and wife, though this is probably not the case. Wood never clearly defined the relationship of the characters.

The point of the mural project is to bring the community together in creating something fun, creative, and monumental. Individuals are encouraged to express their individuality on their tiles, and those tiles then each become a part of the bigger picture – a metaphor for community.

Festival-goers do not know in advance what the bigger picture will be. This is the reason I have chosen fine art imagery – these images are already well loved by the public and are hopefully something of which no one would object to being a part.

Going forward, if we are able to continue this annual project, we may have to do a better job of communicating. This year a couple of people apparently took their tiles home with them! Also there was more confusion than usual as to what paint colors to use in a given area. My apologies to those of you whose tiles I had to alter in order to make the big picture work.

All in all, I think the mural came together nicely! Thanks to the Loveland Downtown Partnership and Chamber of Commerce for their support this year. Also thanks to all the volunteers at Beggars’ Gate church for braving the cold and making this happen again.

Scott Freeman - public art

Detail showing the bear chainsaw sculpture and the Abraham Lincoln brooch.

Loveland Gothic-God is Love

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The Visitation: A Picture of Trust

As we approach the Christmas season, I thought I would share with you a favorite post, The Visitation, from several years ago. I still find it encouraging, and I hope you will too. Also, I made the painting featured below into a Christmas card. Details at the end:

Sometimes I find it enriching to “copy” great paintings. I like doing this for a couple of reasons. First, re-tracing the stages of a great painting is a good way to learn about painting. It’s like thinking the thoughts of the painter after him/her. In the process one can sometimes understand why the original painter made certain decisions about color, composition, and subject matter.

But secondly, I view re-painting a great composition as similar to doing a musical cover of a great song. It’s not about making a literal copy, or even necessarily trying to improve upon the old composition. Sometimes it’s about making the song (or painting) come alive for a new generation, and honoring the greatness of the original. For me it says there is something beautiful or profound there that is worth looking at or listening to again.

Below is an early 16th century painting by Italian artist Mariotto Albertinelli. I think it’s a painting worth writing about during the Advent season. I’ve never seen this painting in person. I only ran across it in an old art book one day, and it stopped me cold. I’ll tell you why I was drawn to this painting…

Image

…I was moved for a number of reasons. The main reason is the tender depiction of the relationship of these two pregnant women, each leaning in toward the other. I love how their hands are clasped near their wombs; how the older begins to embrace the younger. Most striking of all to me is the proximity of their faces to one another – almost touching, as if there really is no adequate physical way to express what they are feeling.

Even if you’re unfamiliar with the story that is depicted here, you may get the feeling that something momentous has happened, or is happening. You may feel that these women share some wonderful secret.

In fact, they do share a terrible and fantastic secret.

This is a depiction of what has come to be called The Visitation, recorded in the first chapter of the gospel of Luke. After learning that her elder kinswoman, Elizabeth, is pregnant, Mary goes to visit her in the hill country of Judah. Both women carry children miraculously conceived, and named by God Himself. Both pregnancies were preceded by secretive angelic visits, with messages so extraordinary that they strained belief. Even today, some two thousand years later, most people do not believe their story. Yet, enough of us do believe it that the story remains with us.

Elizabeth’s situation is a bundle of conundrums. She is infertile, past childbearing age, and childless – until now. At the time of Mary’s visit, Elizabeth is six months into her pregnancy. Of her coming child, John, the angel Gabriel had spoken these words:

“…he will be great before the Lord,…And he will turn many of the sons of Israel to the Lord their God, and he will go before him in the spirit and the power of Elijah, to turn the hearts of the fathers to the children…” (Luke 1:15-17)

These words were a direct reference to the very last words written by the last Mosaic covenant prophet, Malachi, prophesying what would occur before the coming of the Messiah (Malachi 4:5). Now after 400 years of silence from God, the waiting is over, and Elizabeth’s child will be this Messiah’s forerunner. However, even knowing the prophecies, nothing would unfold as expected:

Elizabeth was the wife of a Jewish temple priest. Their child John would announce the Messiah, who would in turn make that Jewish Aaronic priesthood obsolete (Heb 8:1-13). He would do this, not because that system was wrong, but because the entire Mosaic system pointed to Him, and He would bring about something much better. In fact this Messiah would be the fulfillment of every Mosaic covenant feast and ritual, though no one could see it at the time.

Mary’s situation is even more impossible. In a culture where sexual infidelity is a punishable offense, she chooses to bear the stigma of an untimely pregnancy. But what can she say to people? God made me pregnant? Only an angelic visit to Joseph persuades him to stay with her.

And after that, what can he say to people? An angel told me in a dream that God made her pregnant? Right. Oh…and by the way, our baby is the Messiah that you and all of Israel have been expecting for centuries? There is really nothing to be done except to let the story unfold. Only trusting in the loving God who initiated all of these things makes sense.

So for now these two women have each other, both caught up in events too mysterious and too earthshaking to be understood at this point. They stand at a place of vivid tension between flesh and Spirit, faith and sight, darkness and light, and between this age and the one to come.

“The Visitation” – watercolor by Scott Freeman
based on a 16th c painting by Mariotto Albertinelli

For those interested, the original painting has been sold, but I do have prints available of the original. Prints are 6×8″ on archival watercolor paper, and come with a certificate of authenticity. Cost is $20.00, unframed, and includes shipping within the US. A nice gift for both art lovers and people of faith. To order, email me at scottnmollie@yahoo.com.

Also, I just made this painting into a Christmas card on my Zazzle site. I think there is still a “60% off sale on greeting cards” going on, if you hurry. CLICK HERE to order.

“Under the Surface” – A Painting

Jesus teaching at Lake Gennesaret

“Under the Surface” by Scott Freeman, 1×3 ft, latex paint on canvas.

A couple of weeks ago I was reading a passage from the gospel of Luke. Though I’d read it many times before, I felt as though God encouraged me with some new thoughts around the passage.

Luke 5:1-11 tells the story of Jesus calling His first disciples. He’s by a lake and the crowd is pressing in around Him. He sees a couple of boats lying on the shore. He gets into Simon’s boat and asks him to put out a little way from the shore. Then He sits down and begins teaching the people from the boat.

When Jesus had finished speaking, He says to Simon, “Put out into the deep water and let down your nets for a catch.”

Simon replies, “Master, we worked hard all night and caught nothing, but I will do as You say and let down the nets.”

It says they then enclosed so many fish that their nets began to break. They called their partners in the other boat to help, and filled both boats so full that they began to sink. Simon is amazed and falls at Jesus’s feet, confessing his unworthiness. Jesus tells him, “Do not fear, from now on you will be catching men.”

After getting to shore, Simon and his partners leave everything and follow Jesus.

What came to mind
After I read this I was struck with the thought of what must’ve been going on under the surface of the water while Jesus was teaching. As fantastical as it sounds, it must be that the fish in the lake were gathering around the boat where Jesus was sitting. Unseen and unsuspected by everyone above the surface, God was preparing to do something amazing.

Sometimes I feel as though I’ve “labored all night and caught nothing.” Simon and friends had labored all night, on the very same lake but without Jesus, and caught nothing. For myself, my takeaway is that I need to be with Jesus, abiding in Him, listening to Him, and being like Him. I want to hold Jesus up – not my hard work, not my personal awesomeness, not my politics, not even a religion called “Christianity,” but the person of Jesus.

Jesus, the person, said He would draw humanity to Himself. The apostles speak of God’s ultimate plan to unite things in heaven and on earth in Jesus (Eph 1:9,10; Col 1:19,20). We have each been given the unspeakable opportunity to begin walking in relational unity with Jesus right now, even in this broken age, as we look forward to seeing Him bring ultimate unity to completion in the age to come.

What matters most
Simon made no income the night before he met Jesus. Then Jesus, presumably a stranger to Simon, took up much of his morning, monopolizing his time and equipment. But Jesus paid him back, far beyond what Simon could’ve imagined. Ironically, Simon apparently then left his physical repayment lying on the beach in order to follow the transcendent call of Jesus:

…seek first the kingdom of God and His righteousness, and all these [material] things will be added to you (Mt 6:33 ESV).

Much later, after the resurrection and departure of Jesus, the book of Acts describes how Simon, now called Peter, is very effectively engaged in His new occupation of “catching men.” The religious leaders are puzzled as to what to do with these fishermen:

Now when they saw the boldness of Peter and John, and perceived that they were uneducated, common men, they were astonished. And they recognized that they had been with Jesus. But seeing the man who was healed standing beside them, they had nothing to say in opposition (Acts 4:13,14 ESV).

May it become apparent that we, also, have been with Jesus.

The painting
I love the idea of God being at work under the surface. I was intrigued by the idea of an image depicting the crowd of people coming to Jesus on the lake shore, mirrored by the crowd of fish gathering around Jesus under the surface. The only way for me to see how it would look was to paint it.

I joined my wife and a couple of other artists, and made this painting during a worship event; the first Northern Colorado Worship and Prayer night of this new school year. These monthly worship nights are inter-church events, and everyone is welcome. You can follow this year’s schedule HERE. Live worship-painting is always a part of each event.

Jesus teaching the crowds-Scott Freeman

This painting has been sold. Thank you for your support!

A Remarkable Memorial Mural and Its Story

MLK mural Indianapolis

Photo copyright 2018 Sierra Gillard, used with permission from photographer and subject.

Here’s a story worth telling, about art and hopefulness.

Although I’m a fine art painter in my own right, I’ve increasingly found satisfaction in facilitating “non-artists” in the enterprise of art making. I’ve developed an inclusive process by which virtually anyone, including small children and people with physical or intellectual disabilities, can be a participant in creating a compelling, monumental artwork. (Of course, skilled artists are welcome as well!) This process necessarily involves large numbers of people.

My most recent story began with a discussion I had with one of my daughters last Christmas. She and her husband were visiting for the holiday, and I wanted to hear about her new job in Indianapolis. She was teaching at an inner city school there in a pretty rough environment. She recounted that one of the students had been shot over Thanksgiving break, and that when school resumed, fights had been breaking out over the incident.

The high school where she was teaching had combined two different high schools for the current school year. Then at the close of the school year, these high school students were going to be moved again, and the school was to become a middle school for the next school year.

My daughter recounted conversations she had with students during a time of sharing thoughts. She told me that pretty much across the board the students feel like nothing they do matters to other individuals. Certainly not nationally, but not even locally. Their voices don’t matter. What they do doesn’t matter.

Pointlessness and hopelessness are not good ingredients for creating a culture of life. Especially for a demographic that has a lot stacked against it.

I wondered out loud about how something like the Fire & Ice Festival murals would go over at her school. For the past 2 years, the small church I attend had been helping me put on these big art-making events, each culminating in a giant public mural. The point of the process is that each individual paints a small square of the larger picture. Each tile bears the personal expression of the individual, while contributing to a larger mural that the entire city can enjoy – a colorful metaphor for community.

We envisioned the possibility that the Arlington High School (AHS) students could see such a mural as both a legacy that they could leave to the incoming middle school students, but also be a way that they could leave their individual mark in a creative, positive, and lasting way. It seemed like these students could use something that would feed their souls; to be part of something big and meaningful. I understood that the staff and teachers at AHS already work hard to deliver this, and this seemed like something that I could contribute, even if from a distance.

I cautioned my daughter that it would be a ton of work for her, but she took it on. She ran it past her principal and then the staff. Even without being able to fully know what was coming they said “yes.” I ran the idea past my pastor to see if our church, Beggars’ Gate, would be willing to cover the cost of my time. The high school would cover materials, installation, and its own time. It was now officially a collaboration between a little church in Loveland, Colorado, and a large high school in urban Indianapolis, Indiana.

The school principal approved a design bearing a likeness of Martin Luther King Jr., which was fitting for this year because 2018 is the 50th anniversary of Dr. King’s tragic assassination.

I completed my part and shipped off over 750, six inch square, prepped and coded tiles to Indianapolis. As the painting began at AHS, the students got into it and so did the staff. My daughter had a friend come in and DJ the painting area to create a good atmosphere. Good things happened. Creativity flowed. Dancing ensued.

community art project

Some kids, “hall-walkers” who have not been able to find their place in an academic setting, found their place in this setting.

At least one kid who is artistically gifted spent over 2 hours on his 6 inch square tile. He said it was the first time he had used paint.

A Behavior Specialist on staff said, “You know what? If we would’ve done this earlier in the year, I think our kids would’ve done better. It’s inspiring. I’m inspired!”

As the individual painting was going on, no one really knew what was coming. A few kids snuck their tiles out, presumably because they didn’t want to give them up. But when the seemingly random pieces all came together and went up on the wall, the result was spectacular. A lot of hugs were exchanged.

Congrats to Principal Law and the staff and students at Arlington High School – you did a great job!  Thank you Beggers’ Gate Church, for your support!

Martin Luther King Jr memorial

Martin Luther King Jr. Memorial Mural, painted by the students and staff of Arlington High School. Formatted by Scott Freeman, 2018. (12.5 x 25.5 ft)

Obviously, a mural is not going to solve anyone’s problems. But if, at least for some students, it provided even some sense of being part of something transcendent; of having a unique place in community; of seeing themselves as being mentors to younger kids; of creative potential breaking out; then I think that’s a good thing. Maybe that’s about the most we can expect from art.

inner city high school project

Find your place in the bigger picture

Getting a vision? Contact me about bringing an experience like this to where you are.
My email is scottnmollie@yahoo.com.

A Personal Update & 2 Paintings for Sale

Freeman Art Studio

I don’t talk a ton about my personal life here or use this blog much to sell my art, but today will be an exception. I’ll try to keep it interesting for you.

Seventeen(ish) years ago my wife and I moved our 5 kids to Loveland, Colorado to pursue our dream of making a living as fine artists. It has been like a screaming roller coaster ride in an intermittent hailstorm. I gave it a good 15 years, full time, with mixed results due to a less-than-great economy. Finally, a couple of years ago, due to some hospital bills and other debt and some significant deaths in our families, I had to put the brakes on the art career and start working full time. Sorta.

Well, my sorta full time gig went away last December, so I am now back in the saddle as a full time artist, but with a couple of changes:

  • This time, I’ve promised my wife I’m only going to do this as long as it is working financially. We are enjoying the relief of being out of credit card debt and being on a cash-only basis. We are not going back.

 

  • My career emphasis will be different this time around. This time I will not be focusing on showing my work in art galleries, or competing in plein air painting events. (A big part of my debt accumulation had to do with constantly having to frame new work for my galleries, while sales were rarely guaranteed.)
    This time around my focus will be on public art, hopefully with an emphasis on community-building projects.

 

  • I am also trying to keep my children’s storybook business on the front burner, but people keep coming in and turning off the stove. I remain very excited about continuing to create storybooks designed to reinforce a biblical worldview in kids, it’s just going slower then I would like.

What is Public Art?
The public art arena entails competing against lots of artists and, hopefully, winning and being awarded art commissions for public spaces. I have a pretty good public art portfolio now, so I’m optimistic. But there is a lot of waiting involved.

While I wait I’ve almost accidentally had the opportunity to produce a few new paintings. Below are the first two. I’ll tell you the story behind them because I think it’s kind of amazing, and has been personally meaningful to me. I will cover this 35 year story in 2 paragraphs. (They might be long paragraphs. Names have been changed.)

The Story in Part
In 1982, my first job out of art school was as an uncertified elementary school teacher teaching 1st and 2nd grade in one small classroom, for $1000 a month, (summers off with no pay.) One of my students was a well-behaved little blue-eyed girl named Amanda. The school closed after 2 years, life happened, people moved away, and I completely lost touch with all of my students until decades later when I caught up with now-mother-of-three Amanda on Facebook. Shortly after we re-connected, Amanda tragically lost her youngest son to a prolonged illness. Her heartbroken 9 year old daughter, Zoe, wrote a story about her little brother’s life and his faith in God. Amanda and her husband commissioned me to illustrate Zoe’s book in the hope that it might encourage other kids who have experienced loss. But I never actually got meet Zoe.

Ten more years went by. Several months ago I was horrified to learn that Zoe, then 18 years old, had been struck with a related illness, during which time she lost a lot of her physical and mental capability. Eventually doctors were able to figure out a way to manage Zoe’s condition, and she has been in recovery for the past several months and is mostly back to her former sweet self. Amanda called me and Mollie to see if we would tutor Zoe for a couple of weeks of art lessons in our studio in Colorado, as Zoe had been focused mostly on dance throughout her life and it was looking unlikely that she would be able to return to dance in earnest.

Of course we agreed. So I finally got to meet Zoe, now a beautiful young woman who has walked through more than her share of tragedy. Mollie and I got to know her for a couple of lovely weeks, making art and listening music, and hanging out.

The Paintings…
These 2 paintings came out of those 2 weeks. When I teach I usually work on a painting from the same still life as the students, mostly to keep me from bugging the students too much. Zoe chose the colors and set up the still life, and did a great job on her first two oil paintings, which went home with her.

Scott Freeman, painter

“Still Life with Three Pears,” 8×10″, oil on panel.

 

I think these would make a nice set, but I’m happy to sell them separately as well. When I left off of exhibiting in art galleries, my framed 8×10 paintings, (generally the smallest size oils paintings I would sell,) started at $700 – $800. These are unframed, and since I’m currently not in a gallery I can knock off the gallery commission. If someone wants to give me $300 per painting, I would include shipping with that if shipped within the continental US. If you’re local I can deliver.

Scott Freeman, fine artist

“Still Life with Three Apples,” 8×10″, oil on panel.

Please call or email me if you’d like to respond at 970.685.2144, or scottnmollie@yahoo.com.

I do have some copies of Zoe’s hardcover storybook on which I collaborated years ago. Perhaps you know of someone for whom such a book might be helpful. The book is entitled, “Grant and His Great God.” I will send you one for $15, shipping included.

For my thoughts on still life painting, here’s a LINK to an article I posted on here a few years ago. There are lots of new folks here that may not have seen it. Thanks for signing up!

Thank you for your support!

Scott Freeman

The Kingdom of God Excites Me Every Day

kingdom of god parable

“The Parable of the Weeds Among the Wheat,” oil painting by Scott Freeman

When I was a college student, I heard a teaching series at my church on the kingdom of God that changed my life. Somehow, even though I had grown up in a Bible-believing church and considered myself a lifelong student of the Bible, the topic had mostly escaped my notice. Even though Jesus spoke on this topic more than any other. Decades have passed since then and I would say that the topic of the kingdom of God continues to consume my attention and define my life, informing everything I do.

But it’s not quite accurate to say the “topic” consumes me, because the kingdom of God is much more than a mere topic of discussion. I would say it’s a reality in which we as Spirit-born believers live. In a nutshell, one could say the kingdom of God refers to the “reign of God” on earth. In practice, God has designed His kingdom so that citizens live in voluntary, relational unity with Him, living life led by His Spirit.

The Hebrew prophets spoke of this coming eternal kingdom with anticipation, but when the Messiah arrived, his implementation of the kingdom perplexed everyone. It was not until after His resurrection from death, and a great deal of patient explanation, that His followers understood how the kingdom had entered the world. The new covenant scriptures repeatedly refer to the mysteries of the kingdom as things that were formerly “hidden” but have now been made known to us.

We who are alive today have the remarkable opportunity to live out God’s plan for us in a way that old covenant prophets and kings longed for but could only dream about. Aspects of living life in the kingdom of God, right now, include: a new covenant with our Creator; new birth with a new access to God through Jesus; a new indwelling of the Spirit of God for everyone in the kingdom; a new relationship as sons and daughters as co-heirs with Jesus; a new relationship with Jesus as friends rather than slaves; a new life in the Spirit that fulfills and transcends a written code; and a new hope of resurrection and the ultimate fulfillment and completion of all that God has imagined for His creation.

Aspects of of life in the kingdom of God in the future include the ultimate uniting of all things, in heaven and earth, under the authority of Jesus (Eph 1:9,10.)

Several years ago I painted the above painting for my church’s foyer as an expression of the kingdom. I like the image of the sower because it is an image that Jesus chose to describe Himself in this particular kingdom parable. It says a great deal about how the kingdom has come, and how it continues to expand over the earth. Below is my description from the plaque that accompanies the painting. I hope it excites you as it does me! :

mysteries of the kingdom of GodThe kingdom of heaven may be compared to a man who sowed good seed in his field; but while men were sleeping, his enemy came and sowed weeds among the wheat, and went away. So when the plants came up and bore grain, then the weeds appeared also. And the servants of the householder came and said to him, “Sir, did you not sow good seed in your field? How then has it weeds?” He said to them, “An enemy has done this.” The servants said to him, “Then do you want us to go and gather them?” But he said, “No, lest in gathering the weeds you root up the wheat along with them. Let both grow together until the harvest; and at harvest time I will tell the reapers, ‘Gather the weeds first and bind them in bundles to be burned; but gather the wheat into my barn.’    Matthew 13:24-30

During the time of Jesus, Israel’s expectation was that the long-awaited kingdom of God would come as an unmistakable, apocalyptic event. God’s promised messiah would appear, judging and doing away with every source of evil and suffering, and ushering in an eternal kingdom of peace.

Upon His arrival, however, the Messiah inaugurated a different kind of kingdom – a kingdom unlike the kingdoms of this world, but also different from what the Jewish people were expecting.

In the parable of the weeds among the wheat, Jesus identified the sower as Himself. At the establishment of His kingdom the Messiah came not as a warrior, but like one planting seed. His is first and foremost a revolution of love, light, Spirit, and grace rather than one of military might.

In explaining the parable, Jesus identified the good seed as “the sons of the kingdom.” The good seed is sown in the midst this present, corrupt age, growing up right alongside “the sons of the evil one” – bearing fruit over time for the King. Contrary to the expectations of His time, the King Himself withholds judgment until the end of this age, rather than bringing all things to completion at His first appearing (v 36-40.)

But the harvest time is coming. At that time “all causes of sin and all evildoers” will be destroyed, but “the righteous will shine like the sun in the kingdom of their Father” (v 41-43.)

We, the Church, are the good seed – God’s manifestation of His kingdom in this present, evil age – in the world, but not of it. Though in many corners of the world His followers suffer greatly, still the good news of His kingdom goes out. The revolution continues…”And this gospel of the kingdom will be preached throughout the whole world, as a testimony to all nations; and then the end will come” (Matt 24:14.)

 

My children’s storybook, The True Story of Christmas, presents a basic telling of the biblical narrative that kids can understand.

Why a Giant Community Mural in Downtown Loveland?

Loveland sweetheart city arts

Loveland’s “Creation,” by Michelangelo di Lodovico Buonarroti Simoni, with help from local residents.

Loveland, Colorado, nicknamed The Sweetheart City, has developed a reputation as a city supportive of the arts. In recent years, citizens here have braved the cold to participate in an outdoor Valentine’s Day festival called Fire & Ice. The festival includes an ice sculpting competition and also metal sculpture involving lots of fire.

Despite brutally cold weather this year, people still bundled up and showed up. Lots of great musicians still managed to play and sing. And people still showed up to express themselves in paint even though the paint was freezing on the panels. ‘Word is that there were about 40,000 participants this year.

As an arts town, Loveland is best known for its sculpture and bronze foundries, so sculpture is a big part of the festival. But I’m mostly a painter, so this year the folks at the church I attend agreed to once again step up and help me facilitate a huge public art project for festival-goers. Beggars’ Gate pastor, Pat Sokoll, has insisted on the church footing the bill so that this event can be free for everyone.

This year we doubled the size of the final image to 15 x 27 feet. The image consists of 405, 12 inch square tiles. The way it works is that an artist (yours truly) translates the image beforehand into light, medium, and dark values. Each square tile contains a piece of the larger image with the correct value marked accordingly. Participants can express themselves as they wish so long as they use the correct value of paint in each designated area.

Last year we spoofed perhaps the best-known painting in the world – The Mona Lisa. We gave her a Loveland twist. She held a Valentine that says, “With love, from Leonardo,” and I put Long’s Peak in the background. (Click here to see her.) This year we spoofed another iconic image from art history – Michelangelo’s Creation from the Sistine Chapel ceiling. Since participants don’t know in advance what image they are helping to create, it seems reasonably safe to me to spoof a well-known and loved image from art history.

Why we do this
Several people have asked me about the inspiration for putting on such a large, free event. I think this is worth doing for a couple of reasons:

Community-building
I think our country has experienced a serious loss of civility and unity. I like this project because participants can express themselves individually while being an integral part of a larger picture together. It’s a great metaphor for community. An art project will certainly not solve our problems, but it can be a nice reminder that we all have a place here, making the community of Loveland what it is.

It’s just fun to look at the diversity expressed on the wall; to appreciate the creativity and to see the differing personalities of each individual coming through. I know the stories of many of the participants. I see tiles painted by a husband and wife who are physical therapists, a dad and his small kids, a retired school teacher who loves the arts, a child with Down Syndrome, a college student home for the weekend, a friend struggling with an unsettling medical diagnosis, and a competitive distance runner.

Every tile on the wall represents a person with a story. Maybe we can all get better at getting to know each other despite our differences this year. Maybe we can learn to be slower to shut each other down when we disagree.

public art community

Detail of local color…

Radical Inclusivity
Some tiles are quite complicated and require a bit of time and careful attention to complete. Others are completely blank and are impossible to mess up, so long as the correct value of paints are used. This means that even a child barely old enough to hold a brush, a person with a physical or mental disability, or even a blind person can participate. This is personally meaningful to me as a father of a child with a disability and also as a father of a very gifted child, both in the same family. I know how rare it is to find something everyone can engage with as equals

We made it free because we didn’t want anyone to be excluded for financial reasons. As an artist couple raising 5 kids, often below the poverty line, my wife and I often avoided events like this festival. Or if we attended such an event, we had to tell our kids in advance that we weren’t going to buy anything there. It was gratifying to see parents of large families smile to see that our event was free.

art and math

One of my favorite tiles, just because it is so different from anything i would ever do. The mathematical equation creates the heart shape shown on the tile. This tile appears near the head of God in the mural.

What do you think of having a permanent art wall in Loveland?
It looks as thought this may be our last year, as things now stand. The boarded up building on 4th Street where the mural is situated is scheduled for renovation in late spring. I think it would be a unique addition to downtown Loveland to have a permanent, rotating art wall for projects like this. Maybe at the Feed & Grain, or on the side of some other well-exposed building, visible from 4th Street. Or possibly a large billboard type structure reserved for 2D art display.

It could be another way for the city to support the arts.

Thanks again to the small army of volunteers at Beggars’ Gate for your service and ingenuity, and for sticking it out in the cold weather. Thanks to everyone who came by and painted a tile. I love being part of this community.

— Scott Freeman

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art for kids

A small artist with his tile.