This week I’m hoping you will do me the favor of casting a vote between two versions of the final painting I just finished for an upcoming exhibit. After finishing the first version, I wasn’t completely happy with it, so when the Loveland Museum moved our turn-in deadline back a few days, I started a second version of the same composition. This painting will be my smallest piece in the show, and also my only watercolor.
I use a crazy watercolor technique which is very fun, but darn near impossible to control, so there’s really no way to get the same result twice. I typically work on two watercolor paintings at the same time anyway, partly because working on a second one keeps me from messing with the first while successive stages are drying. Usually I’ll abandon one partway through and stay with the one I feel has the most promise. I this case, I completed them both, but am unsure as to which one I like best. I can’t exhibit them both because I only have one frame prepared.
When I started the second version of “Muse,” I was happy enough with the result that I decided to photograph some successive stages of the painting, for those interested in the process. I would summarize the process by saying that the painting is composed of successive layers of very wet glazes, so that the paint literally rolls around on the watercolor board. I’m grateful to Craig Lueck and John Richardson at Hallmark Cards, for introducing me to this technique, which made watercolor enjoyable for me.
(You can see a younger me using this technique in my 4 ½ minute watercolor video on Youtube. Simply type scott freeman watercolor in the Youtube search bar. My apologies for not yet being set up to link videos on this site.)
Here’s the first version of the painting. Mollie says I should put this one in the show:
Following are some stages showing the development of the second version.
Below is the final result. Please let me know which painting you think should go in the show, (though I’m definitely leaning toward one of them.) Vote the first or second version. I’d be interested in your reasons if you’d care to share them:
The subject matter of this painting comes from one of my favorite evenings during our trip to Germany last year. After Mollie and I spent the day in the Jewish Museum in Berlin, our wonderful German hosts took us to dinner at a Vietnamese restaurant. Then we went for a walk and a glass of wine at the Gendarmenmarkt, Berlin’s most beautiful square, featuring domed German and French Cathedrals facing each other across the expansive plaza with the restored Konzerthaus Berlin (Berlin Concert Hall) rising up between them.
When we entered the square, the sky was beginning to turn Maxfield-Parrish-blue. The weather was still and lovely, and a street musician was playing saxophone on the square under an ornate street lamp that was just coming on. His music echoed through the square, making the moment all the more transcendent for me. To be carried away to Europe by the generosity and grace of our new international friends, and to now be in their company on such a beautiful night in one of the world’s historic cities was extraordinary. This overwhelming memory will always be with me.
On our walk to Lutter & Wegner’s Winehouse, we passed the Concert Hall with its grand stairway. Great statues framed the stairs. On one side was a lion, on the other a lioness, each mounted by a cherub playing a musical instrument. Our hosts waited patiently as I took more photos, one of which became the source for this painting. Back at our hotel, my night ended when I couldn’t sleep from excitement, and Mollie excused me to take a midnight walk in the city (recounted here.)
Scott Freeman and Mollie Walker Freeman will be presenting a two-person art exhibit themed around their Germany trip, entitled, “Zeitgeist: Paintings inspired by Germany.” The show opens with a reception at the Loveland Museum-Gallery on November 8, 2013 at 5pm, and will be on display through February 23, 2014.